DRPeakRMSTimeTitle
DR10-5.06 dB-17.82 dB5:20Nagoya Marimbas
DR9-1.20 dB-12.75 dB5:05Cello Counterpoint: Movement I
DR8-1.98 dB-14.79 dB2:37Cello Counterpoint: Movement II
DR10-1.59 dB-13.28 dB3:54Cello Counterpoint: Movement III
DR8-0.93 dB-13.30 dB4:54New York Counterpoint: Movement I
DR9-1.83 dB-13.81 dB2:39New York Counterpoint: Movement II
DR10-1.71 dB-15.40 dB3:37New York Counterpoint: Movement III
DR10-0.87 dB-13.50 dB7:11Triple Quartet: Movement I
DR12-2.14 dB-18.16 dB4:04Triple Quartet: Movement II
DR9-1.06 dB-12.08 dB3:29Triple Quartet: Movement III
DR9-1.20 dB-12.93 dB7:08Electric Counterpoint: Movement I
DR8-0.67 dB-11.42 dB3:29Electric Counterpoint: Movement II
DR9-1.71 dB-12.94 dB4:40Electric Counterpoint: Movement III
DR9-3.49 dB-12.79 dB6:34Music In Fifths
DR10-11.37 dB-22.33 dB2:08Music in Contrary Motion: Cell 1-10
DR10-5.40 dB-17.65 dB2:14Music in Contrary Motion: Cell 11-14
DR9-3.61 dB-14.33 dB3:23Music in Contrary Motion: Cell 15-18
DR8-3.61 dB-12.57 dB2:33Music in Contrary Motion: Cell 19-20
DR8-3.34 dB-12.17 dB2:43Music in Contrary Motion: Cell 21-22
DR8-3.17 dB-12.77 dB1:37Music in Contrary Motion: Cell 23
DR9-2.59 dB-13.66 dB9:13Music in Similar Motion
DR9-3.32 dB-14.88 dB8:01Music with Changing Parts: Part 1
DR9-2.97 dB-12.65 dB6:57Music with Changing Parts: Part 2
DR6-3.29 dB-13.20 dB5:56The Tuning Path
DR9-1.79 dB-14.09 dB10:26Poppy Nogood and the Phantom Band
DR11-4.43 dB-19.45 dB4:50In C: Part 1
DR8-2.47 dB-13.32 dB7:15In C: Part 2
DR9-2.72 dB-14.52 dB7:46In C: Part 3
DR8-2.62 dB-12.96 dB9:35In C: Part 4
DR9-2.54 dB-14.22 dB6:08In C: Part 5
DR8-2.44 dB-14.06 dB9:34In C: Part 6