DRPeakRMSTimeTitle
DR14-4.07 dB-23.63 dB4:54Ich und ich
DR15-1.65 dB-22.89 dB9:38Slumberland
DR13-0.45 dB-19.47 dB4:50Klavierstück No. 2
DR14-9.12 dB-30.04 dB2:04Traces gravées dans le Sable: I. Hiuan-Kiue de Yong-Kia
DR13-2.71 dB-25.79 dB1:37Traces gravées dans le Sable: II. Wei Ying-Wou
DR14-2.90 dB-28.67 dB2:25Traces gravées dans le Sable: III. Sosan
DR13-5.61 dB-26.82 dB2:39Traces gravées dans le Sable: IV. Wang Wei II
DR13-0.95 dB-22.38 dB1:21Traces gravées dans le Sable: V. —
DR12-14.70 dB-31.14 dB2:29Traces gravées dans le Sable: VI. —
DR24-1.94 dB-32.16 dB7:19Kurzkurz © Live at Carnegie, Op. 24
DR12-2.22 dB-18.72 dB1:025 Petites études sur les résonances: No. 1, Toccata interrompue
DR11-3.39 dB-19.38 dB0:355 Petites études sur les résonances: No. 2, Entrelacs
DR12-5.36 dB-25.06 dB0:515 Petites études sur les résonances: No. 3, Intermède
DR18-0.00 dB-22.53 dB3:295 Petites études sur les résonances: No. 4, Solennel
DR13-1.95 dB-18.50 dB3:025 Petites études sur les résonances: No. 5, Le jeu des tierces
DR12-4.01 dB-20.40 dB4:25Studie 19.4
DR16-5.64 dB-27.48 dB6:24Klavierstück No. 11
DR17-1.62 dB-26.66 dB1:56…Innig beflügelt: I. —
DR11-3.76 dB-23.34 dB0:53…Innig beflügelt: II. —
DR13-4.32 dB-25.67 dB0:35…Innig beflügelt: III. —
DR17-0.21 dB-23.89 dB1:56…Innig beflügelt: IV. —
DR25-0.21 dB-35.07 dB1:54…Innig beflügelt: V. —
DR15-0.65 dB-22.93 dB1:10…Innig beflügelt: VI. —
DR17-14.72 dB-38.37 dB2:08…Innig beflügelt: VII. —
DR17-16.22 dB-40.01 dB1:24…Innig beflügelt: Epilog - Epitaph
DR19-2.26 dB-28.92 dB7:23Klavierstück 2009
DR18-0.07 dB-26.30 dB5:08Übrig
DR14-2.16 dB-22.96 dB6:45Changing Five
DR14-4.20 dB-23.69 dB5:37Zwielicht
DR14-8.57 dB-29.47 dB1:235 Facetten: No. 1, —
DR18-0.93 dB-27.66 dB1:325 Facetten: No. 2, —
DR10-16.72 dB-30.69 dB2:025 Facetten: No. 3, —
DR12-4.74 dB-24.07 dB0:565 Facetten: No. 4, —
DR15-8.02 dB-30.26 dB1:355 Facetten: No. 5, —
DR14-14.15 dB-39.41 dB0:30Circles & Commas: Theme
DR14-9.83 dB-32.26 dB0:53Circles & Commas: Variation 1
DR21-24.35 dB-50.87 dB2:20Circles & Commas: Variation 2
DR20-20.76 dB-47.34 dB2:20Circles & Commas: Variation 3
DR15-1.77 dB-22.65 dB2:33Circles & Commas: Variation 4
DR16-3.24 dB-26.39 dB6:005 Ausgänge
DR14-3.04 dB-25.09 dB8:03Flashback
DR14-2.91 dB-24.10 dB7:05Ver-Fügungen
DR20-0.90 dB-28.34 dB7:16Méditation interrompue
DR20-1.69 dB-29.01 dB4:45So Tender Was the Night
DR14-12.12 dB-35.83 dB1:44Menora: No. 1, —
DR16-1.16 dB-21.12 dB1:14Menora: No. 2, —
DR16-5.94 dB-29.00 dB2:29Menora: No. 3, —
DR12-4.08 dB-23.17 dB0:57Menora: No. 4, —
DR15-1.18 dB-24.35 dB1:30Menora: No. 5, —
DR14-2.33 dB-21.95 dB1:26Menora: No. 6, —
DR13-2.73 dB-20.83 dB1:26Menora: No. 7, —
DR15-1.16 dB-20.75 dB11:36Morphologia - Polyphonia
DR15-1.16 dB-20.47 dB8:42Storr
DR17-1.16 dB-23.83 dB11:50Helle Seelen ohne saum
DR11-6.13 dB-20.07 dB4:50Palau de les Artes
DR15-2.74 dB-27.09 dB5:33Cantus 1
DR14-6.54 dB-29.02 dB1:373 Miniaturen: No. 1, —
DR17-9.79 dB-33.52 dB2:043 Miniaturen: No. 2, —
DR16-14.73 dB-35.69 dB2:223 Miniaturen: No. 3, —
DR14-1.16 dB-19.62 dB7:38(.)
DR14-0.85 dB-21.06 dB5:236 Klavierstücke: No. 3, Nachtstück mit Coda
DR16-1.58 dB-26.77 dB2:456 Klavierstücke: No. 5, Blurred